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A |     서울 강동구 세븐일레븐 뉴웨이브오리진점에 방문한 한 소비자가 사케 전통주 매대에서 상품을 고르고 있다. 코리아세븐 제공 [파이낸셜뉴스] 여럿이 대용량 페트맥주를 나눠 마시던 풍경이 빠르게 사라지고 있다. 한때 단체 음주의 상징이었던 '피처맥주'는 젊은 소비자에게 낯선 제품이 됐다. 주류 소비량이 줄고 각자 원하는 술을 골라 가볍게 즐기는 문화가 자리 잡으면서 편의점 매대도 캔맥주와 무알코올·저도주, 프리미엄 주류 중심으로 재편되고 있다. ■술 사는 횟수 줄어도 지갑은 더 열었다 26일 국세청 국세통계포털(TASIS)에 따르면 지난해 국내 주류 출고량은 298만8000㎘로 1998년 이후 27년 만에 300만㎘를 밑돌았다. 지난 2015년과 비교하면 21.5% 감소한 규모다. 맥주와 희석식 소주는 3년 연속, 탁주는 5년 연속 감소했다. 건강에 대한 관심과 고령화, 인구 감소에 더해 회식 문화가 달라진 영향으로 분석된다. 전체 주류시장이 위축되면서 편의점의 핵심 상품군인 주류도 성장세가 한풀 꺾였다. CU의 전체 주류 매출 신장률은 지난 2024년 13.7%에서 지난해 8.0%, 올해 1~7월 4.3%로 낮아졌다. 술을 마시는 횟수와 양이 줄면서 상품별로는 대용량 맥주가 먼저 밀려나고 있다. GS25의 올해 1~7월 페트맥주와 병맥주 판매량은 전년 동기 대비 각각 5%, 9% 감소했다. 반면 수입 캔맥주 판매량은 10% 증가했다. 1~2인 가구와 혼술·홈술이 늘면서 한 제품을 나눠 마시기보다 각자 원하는 캔맥주를 골라 마시는 소비가 자리 잡은 영향이다. 보관이 편하고 다양한 국내외 제품을 한 캔씩 경험할 수 있다는 점도 수요를 끌어올렸다. 편의점에서 술을 사는 횟수는 줄었지만 한 번 살 때 쓰는 돈은 늘었다. 세븐일레븐의 올해 1~7월 주류 구매 건수는 전년 동기 대비 5% 감소한 반면 건당 구매액은 6% 증가했다. 세븐일레븐에서는 평균 판매가격이 6907원인 소주 매출이 올해 1~7월 2% 감소한 반면 소주보다 평균 가격이 2배 이상 높은 전통주는 50%, 7배 이상 높은 와인은 20% 증가했다. 평균 판매가격이 6만5211원으로 소주의 9배를 웃도는 양주에 속하는 위스키 매출도 12% 늘었다. 자주, 많이 마시기보다 가격대가 높더라도 취향에 맞는 술을 고르는 소비가 건당 구매액을 끌어올린 것으로 분석된다. ■취하지 않거나 제대로 골라 마시거나 피처맥주와 소주 등 익숙한 대중 주류가 밀려난 자리는 무알코올·저도주와 프리미엄 주류가 채우고 있다. GS25의 올해 1~7월 무알코올 맥주와 칵테일소주 매출이 전년 동기 대비 각각 107.9%, 44.0% 증가했다. CU에서도 논알코올맥주와 하이볼이 각각 50.7%, 20.6% 늘었다. 적게 마시더라도 맛과 품질을 따지는 수요도 커졌다. GS25의 양주 매출은 11.3% 증가했고 CU의 사케와 증류식 소주는 각각 29.2%, 18.6% 늘었다. 위스키와 와인도 각각 13.3%, 12.4% 성장했다. 전통주는 젊은 층과 외국인이 찾는 취향형 주류로 부상했다. 세븐일레븐의 올해 전통주 매출은 전년 동기 대비 55% 증가했고 2021년보다 7배 늘었다. 2030세대 비중은 5년 전보다 8%p 상승한 36%를 기록했고 외국인 매출도 올해 48% 증가했다. 편의점들은 저도수와 프리미엄 전통주를 확대하고 있다. 세븐일레븐의 '윤남노 복담주'는 출시 일주일 만에 전통주 매출 1위에 올랐고 CU도 오는 26일 프리미엄 증류주 '신라주'를 선보인다. 편의점업계 관계자는 "최근에는 취하기보다 가볍게 분위기를 즐기거나 적게 마시더라도 취향과 품질에 맞는 술을 고르는 소비가 늘고 있다"고 말했다.。    South Korea has steadily built a reputation for creating some of the most inventive and spine-chilling horror films. If you are thinking of simple jump scares, you are in for a lot! Simply put, K-horror thrives on atmosphere, folklore, psychological complexity and a uniquely Korean blend of tragedy and terror. These films pull you in with stylish direction and layered storytelling. Interestingly, they leave you thinking about their implications long after you’ve locked all your doors and switched on every light in the house.If you’re ready for a guided tour through Korea’s most unforgettable nightmares, here are ten of the best Korean horror movies for you to watch with your lights on.     In This Article      1. A Tale of Two Sisters (2003)2. The Wailing (2016)3. Train to Busan (2016)4. I Saw the Devil (2010)5. Gonjiam: Haunted Asylum (2018)6. Thirst (2009)7. The Host (2006)8. The Call (2020)9. Whispering Corridors (1998)10. The Piper (2015)1. A Tale of Two Sisters (2003)          Kim Jee Woon’s gothic psychological horror remains a benchmark for modern Korean cinema. Loosely rooted in an old Joseon-era folktale, the story revolves around two sisters who return from a mental health facility only to encounter escalating tension with their cold and unpredictable stepmother. From its dreamlike cinematography to its suffocating atmosphere, the film invites viewers into a labyrinth of memory, trauma and hallucination. Instead of spelling things out, it asks you to piece together the truth.     2. The Wailing (2016)          If A Tale of Two Sisters is a fairy-tale nightmare, The Wailing is a sprawling supernatural epic disguised as a crime drama. It is set in a quiet mountain village that is plagued by bizarre illnesses and gruesome murders. The film follows an overwhelmed police officer who becomes embroiled in a series of events involving shamans, demons and eerie strangers. Director Na Hong Jin blends spiritual mythology with real world dread. The Wailing isn’t just scary; it is unsettling in a way few films dare to be.     3. Train to Busan (2016)          Zombie films may feel overdone, but Train to Busan revitalises the genre globally. It is set almost entirely aboard a high-speed train, as the story begins with a viral outbreak that transforms commuters into ravenous undead within minutes. What elevates the film isn’t just the tight, breathless action choreography but its emotional core. At its centre is a father trying to reconnect with his young daughter and their evolving bond anchors the chaos around them. The characters are well drawn, the social commentary is sharp, and the pacing is absolutely relentless. It is a perfect example of how Korean filmmakers turn genre films into human stories.     4. I Saw the Devil (2010)          Not for the faint-hearted, as I Saw the Devil blurs the line between horror and thriller. A secret agent embarks on a mission of revenge after his fiancée is murdered by a sadistic serial killer. Now a cat-and-mouse chase begins that becomes a brutal story of vengeance. The film is horrifying because of the killer’s cruelty and the protagonist’s descent into moral corruption. It comes with slick cinematography and Kim Jee Woon manages to keep the audiences hooked with nerve-shredding tension. The violence is graphic and chilling, to say the least.     5. Gonjiam: Haunted Asylum (2018)          This movie explores the lives of a group of young content creators. They visit an abandoned psychiatric hospital to livestream their investigation for views and sponsorship money. At first, it feels like a mischievous reality-TV stunt. It is complete with pranks planned to scare the audience. But once the group begins exploring deeper into the asylum, the pranks give way to very real and very terrifying phenomena. The film’s shaky-cam style makes each moment feel immersive and real. Also, its exploration of the internet culture adds a modern twist to the haunted-asylum trope.     6. Thirst (2009)          Park Chan Wook’s Thirst is a vampire film unlike any other. The reasons being that it is sensual, tragic, darkly funny and unexpectedly philosophical. The story follows a devoted priest who becomes a vampire after volunteering for a medical experiment intended to save lives. The priest is suddenly torn between his religious convictions and his bloodthirsty new instincts. He begins an affair that spirals into guilt, violence and moral decay. As always, Chan Wook's visual flair elevates the film. Also, the movie does not rely on typical vampire cliches clichés. It uses the supernatural to examine human weakness and spiritual conflict.     7. The Host (2006)          Though often labelled a monster movie, The Host is far more sophisticated than that simple description suggests. It is directed by the globally acclaimed Bong Joon Ho. But interestingly, this movie released before Parasite. It follows a dysfunctional but deeply loving family fighting to rescue their daughter from a mutated river creature that rises from Seoul’s Han River. The monster is frightening enough, but what sets the film apart is its blend of horror, political satire and heartfelt family drama. Bong uses the creature as a metaphor for Government failure, environmental negligence and societal indifference. It’s thrilling, funny, emotional and terrifying all at once.     8. The Call (2020)          A more recent addition to the Korean horror canon, The Call combines time-travel elements with psychological horror. The premise centres on two women living decades apart but connected through a mysterious telephone line. It starts as an unusual friendship, but it quickly turns nightmarish when one of the women uses their link to manipulate the timeline. She gives way to her own violent impulses. The film escalates at a breakneck pace. It blends sci-fi, thriller and horror into a uniquely chilling ride. Its unpredictable twists and menacing energy keep viewers on edge until the final seconds.     9. Whispering Corridors (1998)          A landmark in the revival of Korean horror during the late 1990s, Whispering Corridors is set in an elite all-girls school where mysterious deaths spark rumours of ghosts roaming the hallways. While it functions as a supernatural mystery, the film also critiques the pressures and abuses embedded within Korea’s academic system. Its success spawned a long-running anthology franchise, but the original remains the most impactful, thanks to its eerie atmosphere and emotionally charged storytelling. The school setting, with its empty classrooms and locked corridors, becomes a perfect stage for terror.     10. The Piper (2015)          Inspired by the classic legend of the Pied Piper, this folk-horror gem is set in the aftermath of the Korean War. A wandering piper and his son arrive at a remote village plagued by a rat infestation. At first welcomed, he is soon betrayed by the superstitious villagers. It leads to one of the most chilling revenge arcs in Korean horror. It begins as a quiet and almost pastoral drama. Then it slowly transforms into a grotesque and poetic retribution. The film’s unsettling tone, creepy creature design and moral lessons make it a standout for fans of folklore-based horror.One thing is for sure, Korean horror doesn't simply aim to shock. It often reflects deep-rooted cultural anxieties about family expectations, social hierarchy, Government mistrust, colonial trauma, religious conflict and the wounds left by rapid modernisation. Ghosts in Korean cinema are rarely just monsters. They are symbols of unresolved guilt or injustice. Monsters represent societal failures. Revenge stories become meditations on morality. Even zombie films carry emotional weight.Stylistically, K-horror thrives on atmosphere. Directors take their time setting up tension, focusing on mood, character psychology and beautiful-yet-ominous visuals. The result is a mix of artful storytelling and gut-wrenching fear that resonates with global audiences.Also Read: Inspection Bungalow Review: A Quirky Horror Comedy That Fumbles Its Final Stretch。

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